🇨🇭
STORY
A PROGRESSIVE
TRAJECTORY
For more than twenty-five years, our approach has developed over time, through successive layers, at the intersection of artistic creation, intellectual research, pedagogical experimentation and a progressively structured economic framework.
This trajectory does not follow a linear plan. It has developed from concrete situations, commissions, publications, collaborations, commercial activities and diverse institutional contexts.
Each stage has contributed to the gradual establishment of a framework articulating painting, mathematics, music and fiction, with an entrepreneurial dimension integrating increasing complexity:
creation of several Swiss limited liability companies (Sàrl)
registration and development of two protected trademarks
ongoing project for the establishment of a Foundation for the Arts and Mathematics
ongoing project for the creation of an internationally oriented commercial company
INTERDISCIPLINARY
ORIGINS
The starting point lies at the intersection of several fields of activity:
musical composition
mathematics teaching
pictorial production
construction of fictional frameworks
These domains were never conceived separately. They were considered complementary spaces allowing the exploration of forms of language, structure and transmission.
PUBLICATIONS AND
ACADEMIC CONTEXTS
Part of the work developed within environments linked to teaching and research.
Pedagogical publications, articles, institutional collaborations and interdisciplinary projects constituted an initial framework for dissemination and experimentation.
These experiences made it possible to formalise the conceptual foundations of the framework and to test its coherence within academic and public contexts.
THE EMERGENCE OF PAINTING
AS A CENTRAL AXIS
From the 2010s onward, painting became an autonomous axis of production, structured around distinct series.
The works progressively integrated mathematical encryption devices developed within the ® CODE BACH process.
Pictorial production thus became a point of convergence between artistic creation, mathematical thought and narrative construction.
FICTION AND
NARRATIVE FRAMEWORK
The fictional dimension plays a structuring role.
It materialises through works attributed to fictional characters, narratives constructed around imagined trajectories, and theoretical texts analysing the relationships between reality and fiction.
This approach introduces multiple levels of interpretation and broadens the field of reading of the works.
PROGRESSIVE ECONOMIC
STRUCTURING
Over time, the framework has been accompanied by concrete economic structuring:
creation of companies in Switzerland (Sàrl)
registration of protected trademarks
establishment of studio and production spaces
development of initial contractual frameworks
documented sales and first partnerships
This structuring did not precede creation. It was its progressive consequence.
FIRST SALES AND
INITIAL ANCHORING
The first documented sales occurred from 2015 onward.
They took place in direct contexts, without heavy institutional intermediaries, and contributed to testing the reception of the work in real situations.
These experiences constitute a concrete basis for subsequent developments.
TOWARDS A
CHANGE OF SCALE
The current phase corresponds to a pivotal moment.
The framework, built over time, is entering a stage in which its artistic, economic and institutional dimensions can consolidate and change scale.
The objective is not to break with what has been constructed, but to extend its logic into broader contexts, in Switzerland and internationally.
This transition to a new phase does not result from a theoretical decision, but from the accumulation of concrete situations, effective productions and progressive recognition that now make this change of scale possible.
CONTINUITY
This STORY does not constitute a closed narrative.
It corresponds to an ongoing process, intended to evolve through productions, encounters, collaborations and concrete situations that will shape its continuation.
TO LEARn MORE
Visit the Biography page.